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New feature in JazzTimes

05.12.2021

On Eric Dolphy's solo bass clarinet version of Billie Holiday's "God Bless the Child." "His attack is all swoops, dives, and bench-pressing of  geological plates, as if coming from inside the earth and then pushing  against a canopy of stars, before raining back down in droplets of  indigo and liquefied rubber. You’re not going to find a more demanding  piece, but he underpins this dialogic wonder, as Holiday did, with the  blues. It is a blues both ancient and modern, incorporating ageless  rhythms of Africa with the Mondrian-like coloristic staccato of the  city. At some intervals you might think of it as sci-fi, and then—two  clicks of Dolphy’s tongue later—as a hymn that has enfolded the earth  since long before we got here."

New personal essay in the spring-summer 2021 issue of Salmagundi

05.07.2021

A piece called "You're Up, You're Down, You're Up," about a man trying to keep himself alive and going by running up and down the stairs of the Bunker Hill Monument. "It is interesting the diametrically opposed way two people can look at the same thing and both retain a degree of correctness. As I climb now I think of how the Monument might be viewed as a death box. Not that anyone has died in it during my climbing career, but people do pass out, ambulances are summoned, and of course nearly everyone stops to rest two, three, four times before reaching the top a single time, bending over and sucking wind, looking at the person they are with as though they want to crack a joke, then focusing back on the task of catching their breath."

Chicago Tribune op-ed

04.02.2021

"We’re much like Chekhov’s traveler now. We confer value on what we don’t have, or where we’re not yet at. We know others are present in this 'over there,' and we worry that we are innately lacking. The procession, the parade, matter much to us because they’re all but officially earmarked as the measuring sticks of consequence."

On the genius of Jimmy Blanton

03.18.2021

A piece for The Smart Set. "Blanton was the man who freed the Ellington sound, who made all future  sounds, it seemed, attainable. I’ll venture that no one in jazz history has played an instrument better than Blanton played the bass, but I almost hesitate to term what he did bass playing."

Bass piece in JazzTimes

03.17.2021

Walter Page, sonic liberator. "We’re talking music as elemental as the weather, a sea throwing itself against shore-rock again and again, the incessant “I’m not going anywhere” advance, and yet so orderly, controlled, both repeatable and always new. A daring empiricism, an improvised science of rhythm-making."

St. Patrick's Day op-ed for the New York Daily News

03.17.2021

Don't Dorian Gray yourself. "But she didn’t know. She’ll probably never know. The point is the cliché. And it is the clichéd life that is a kind of death. Or, if you wish to be less macabre, we can just call it hardly a life at all. Not  the life of an individual."

Downtown with Rich Kimball

03.09.2021

Ambrose Bierce essay in The Smart Set

02.18.2021

"He wrote a huge amount of short stories — 250 — and 850 fables in a period when writers of imagination actually wrote; as in, wrote often and wrote well, rather than what they do now, which is talk about writing without actually creating anything and bragging about how they are off for another writer’s colony vacation funded by someone else."

Film piece in The Daily Beast

02.14.2021

Interview on Wisconsin Public Radio

02.10.2021

Op-ed in USA Today

02.08.2021

Stop telling everyone--and yourself--that you're old. "The dad bod is not some necessity of being 50-years-old, or whatever age you are. You’re free to dispense with it, transform it. Those views  you’ve held for decades? They can evolve in six months, and then you have fresher, better views to work with, perhaps to transform again, as you journey forward. What often stops us is complacency enabled by a culture of complacency."

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